Here you’ll find selected electroacoustic music compositions, some with links to full versions or extracts.
My Soundcloud site is https://soundcloud.com/david-hirst-1
And my Video Music is on Vimeo at https://vimeo.com/davidhirst
Fixed media – Selected works
|
| The Portuguese Suite |
8 channel version |
15′ |
2019 |
| Imaginacão de Viseu |
8 channel version |
10′ |
2018 |
| The Portuguese Suite |
Soundcloud stereo version |
15′ |
2018 |
| Imaginacão de Viseu |
Soundcloud stereo version |
10′ |
2016 |
| Spectral Variations 4 (for Francesca) |
CD – Full version |
11′ |
2015 |
| Shape of Water |
Album on iTunes |
50′ |
2014 |
| OMG 2013 Remix |
CD – Full version |
8′ |
2013 |
| Study 101: Thunderbowl |
CD – Full version |
4′ |
2010 |
| Study 102: Scrabbling |
CD – Full version |
4′ |
2011 |
| Study 103: Reson |
CD – Full version |
4′ |
2011 |
| La vie naturelle |
CD |
|
2003 |
| Travail |
CD |
|
2003 |
| Maison |
CD |
|
2002 |
| Mon Dieu – Revised 2002 |
CD – Full version |
9′ |
1998 |
| Mann Project |
CD |
|
1997 |
| Mann Rave IV |
CD |
|
1997 |
| Sound fields |
CD |
|
1997 |
| Colonies III |
CD |
|
1993 |
| Colonies II |
CD |
|
1993 |
| Colonies I |
CD |
|
1992 |
| Ice Palais |
Computer music commissioned by the Terrapin Puppet Company, Tasmania |
|
1989 |
| Dualistic Duet |
Computer-generated tape |
10’ |
1985 |
| The Making of Dolphin Play |
Film music commissioned by the Mill Theatre Company |
|
1984 |
| Betameta |
For computer-generated tape |
|
1983 |
| The Storm Studies |
For computer generated tape |
|
1982 |
Video Music
|
| Shape Intersections |
Video Art with electronic music soundtrack. Available on Vimeo |
4′ |
2019 |
| Sonochrome I |
Video Art with electronic music soundtrack. Available on Vimeo |
10′ |
2019 |
| The Shape of Water |
Video Art with electronic music soundtrack. Available on Vimeo |
9′ |
2014 |
Selected works for live electronics
|
| Artificier artificiel |
Live, interactive computer music |
4’ |
2005 |
| Linden Nights |
Recorded live for Machine Messages CD |
|
1992 |
| Improvisation (D. Hirst & I. Fredericks) |
Interactive computer composition instruments |
|
1990 |
| Improvisation (Bell and Whistle Co & Ballyhoo) |
Group electro-acoustic improvisation |
|
1990 |
| Improvisation for Linden (D. Hirst & T. Stainsby) |
For interactive computer composition instruments using the SPRAY program written by Hirst |
|
1990 |
Selected works for instruments/voice and electronics
|
| Interactions (with Graeme Leak) |
Percussion, MIDI guitar, and signal processing |
|
1992 |
| Resonance (with Graeme Gerrard) |
Microphone feedback with resonators, MIDI wind controller, and signal processing |
|
1992 |
| Playing Fields (with Graeme Leak) |
Percussion and live electronics |
|
1992 |
| Sextet (with Gerrard, Sosnin, Hewes, McLachlan, and Barden) |
Gongs, Oboe, Computer Processing Instruments and Mixer |
|
1991 |
| Georgiana in the Land of the Kulin |
Narrator (Anthony Briggs) and live computer-generated electronic accompaniment |
|
1990 |
| And So (with P. Treloar) |
For computer generated tape, voice, and drum |
20’ |
1989 |
| Antipathy – Empathy |
For cello and computer generated tape – performed by Andre Duthoit and John Addison |
9’ |
1987 |
| Brahmin’s Son |
For tenor voice and computer-generated tape. Available on NMA Tapes 1 from Shame File Music |
3’ |
1982 |
Selected installation works
|
| Namelessness |
Electronic music for the “play that becomes an installation” – with sculptor Peter Cripps. Available on NMA Tapes 6 from Shame File Music |
|
1988 |
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